Serious Tip - Don't Go Back to the Moon

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Statistical and Visual Representation of POC characters in New Who

I used data from the wonderful burntlikethesun.

The first set of data (colour coded in reds and pinks) is based on the number of POC with dialogue, but counting recurring POC each time they appeared in separate episodes. For example, instead of Martha just being counted once, she is was counted for each separate episode she appears in. The second set of data (colour coded in greens) is based on the number of POC with dialogue, but only counting each recurring POC once. So Martha and Mickey were each only counted once. The first set of data gives some idea of how important POC are to the plot, how developed they are etc. The second set of data is an indicator of how many individual POC with dialogue we have. 

(This data does not include minisodes, and does not including at least 4 WoC in prosthetics from RTD’s era: Jabe, Matron Casp, Sister Jatt, Chantho)

To give a fair comparison of the eras (since obviously RTD’s era has more episodes) I divided the number of POC in each set of data by the number of episodes from each era (not including the minisodes). This gave the average number of POC in each episode for each set of data. I then multiplied this value by 100 to give an accurate representation of how many POC with dialogue would be in 100 episodes from each era, for both sets of data. (Obviously in Moffat’s era, this would be if current trends continued.) 

I then represented these numbers on graphs.

The data used was raw data, and no one can deny that there is a problem here. The number has fallen by more than half since Moffat. We’ve had a serious decline in the number of POC in speaking roles. Oh, but Moffat’s show is so ~progressive~ isn’t it? 

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if you’re ever feeling sad, just remember that according to the infinite multiverse theory, there is a universe out there in which you are a member of starfleet and have probably saved the world at least once


(via lettersfromeleanorrigby)



(via miggylol)

I’m warning you, I am a lethal killing machine.

(via waxjism)



To build a better world sometimes means tearing the old one down … and that makes enemies.


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Sacajawea: If Not For Her, We Could Be Saluting the British Flag

Few women in U.S. history have had more influence on the nation’s history than the young Lemhi Shoshone woman, Sacajawea. It’s very likely that Lewis and Clark would never have reached the Pacific Ocean had it not been for her help. White settlement would have been different. Indian wars throughout the western half of the country would have been altered. We might even be saluting the British flag rather than the American flag. Sacajawea’s role was gigantic.

MY GIRL. She is of our tribe and we are so proud of her out in Inyo County. The Lewis and Clark thing was just a small part of her epic life.

She was actually born with the name Poi Naipi (Little Grass Maiden). She and two of her friends (Nai Nukkwi, Patsu Naipi) were kidnapped by a hostile band of Hidatsa, who had a strange practice of replacing their own dead children with the children of other tribes.

Poi Naipi’s “adopted” parents didn’t like her much so instead of sending her home they freaking sold her to a drunken French guy named Charbonneau. This man was bastard incarnate. To put this into perspective: He had once been stabbed in the face in Manitoba when he was caught raping a young girl there. At this time, being forced to marry him, Poi Naipi was about 9 years old. And, he already had one other child bride.

He was very abusive, he drank a lot, and at some point Poi Naipi started calling herself Tsaikka Tsa Wea. It means in our language, “One Who Carries a Burden.” You see how this got corrupted to Sacajawea over time.

At one point on the L&C expedition Clark caught Charbonneau beating Tsaikka Tsa Wea and her newborn son. Well, Clark and Lewis beat the crap out of Charbonneau and told him to knock it off. Later, after the expedition, Clark paid for Tsaikka Tsa Wea’s son to go to school and live in his home.

That’s not even the cool part though. As an older woman Tsaikka Tsa Wea said “To hell with this, I’m going home.” This was a pretty big thing to do, understand that she had practically been raised by her abusive scumbag husband and it is very hard for women who have been systematically abused since childhood to learn to stand up for themselves, especially against their aggressors. But, she did it. Traveling all by herself, she found the Northern Shoshone encampment on Wind River, where Chief Wusik-He was with some Eastern Shoshone (and some Western at the time) (this would later go on to be the permanent Eastern settlement, those guys are still out there today). She was reunited with her brother, who by that point had been named Daigwani of the Northern Shoshone. Everybody welcomed her home, her friends, her family, and she broke down crying to hear them call her their “Lost Woman” (Wadze Waipu). For her resilience and cunning she was appointed the personal advisor to Wusik-He. As a very old woman was buried with the name “Chief Woman,” later her son and her nephew were buried on either side of her. Those graves are still there on Wind River today.

Poi Naipi and the Wide Ridge Clan, never forget you, your story is always being told. Miikwa katukan, tunna wunupuhantu tung’atiwan naangwunupuhantu

(via memekon)


Headcanon: Abed only got his job at SHIELD as a spousal benefit when they recruited Troy for their gadgets division

Evidence, incontrovertible: When everything else in Fury’s car was broken, what was still 100% operational? THE AIR CONDITIONING.

Bunny, related: Abed meets Sam while visiting Troy in the hospital and explains to him, scene by scene, why he is definitely the lead in a romcom, not the sidekick in an action movie.

(via hellotailor)

That’s why he doesn’t kill him. That’s why he saves him. That end scene to me was always like: ‘I don’t know what this is, I just know I’m supposed to do this right now. Whatever this is, I’m supposed to protect this for some reason.

Sebastian Stan on Bucky’s mindset when he decides not to let Steve die

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I cherish the memory of a question my grandson asked me the other day, when he said: ‘Grandpa, were you a hero in the war?’ Grandpa said, “No. But I served in a company of heroes.”

(via buffyaddict13)

People don’t like her because it’s the making of her, right now. When she, sometime soon in the future, becomes this person that she’s been kind of building up to, for the past three seasons, now four, then people will really begin to root for her. I think even the audience doesn’t realize she’s such a dark horse. If she acted badass and tried to kill everyone there, she would be dead by now! She’s so intelligent, and I can’t stress that enough. Courtesy is a lady’s armor. She’s using her courtesy to deceive people, and she’s using her former self as a facade, and it works so much to her advantage, because people still think she’s this naive, vulnerable, little girl, and she’s really not. She knows exactly what she’s doing. She knows what game she’s playing! And no one else does. And she’s learned from the best — Cersei, Margaery, Tyrion, Littlefinger, even Joffrey. She’s learned so much from these people, and they don’t even realize it. They’re unwittingly feeding her to become this great kind of manipulator. King’s Landing can either make or break a person, and in Sansa’s case, it’s making her.
Sophie Turner, in response to Sansa hate (x)

(via eleveninches)